Georges Pierre’s aim with set photography is not to turn the moving image into a fixed image, but to recreate the spirit of the film, which requires commitment and personal interpretation from the photographer. With an average of three films per year, he has photographed more than a hundred films spanning a thirty year career which began in1960. At the time he worked with New Wave film directors (Louis Malle, Jean-Luc Godard), but also began partnerships which continued over the following decades, notably with Robert Enrico and Yves Robert. Georges Pierre was also the founder of the Association of Film Photographers, responsible for the protection of the material and moral interest of cinema photographers.
COUNTRY : France
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